Wednesday, March 3, 2010
One EskimO
Tuesday, February 23, 2010
Now Writing for Examiner.com
Howdee all....
Wednesday, December 23, 2009
FaveSongs2009 is coming! In the meantime.... a Teiam Player mix
Thursday, December 17, 2009
FaveAlbums2009 part 3: 10-2
10 - Akron Family Set 'Em Wild, Set 'Em Free
So many times this fall when I'd get sick of listening to everything else I'd put this on. "River" has long been a favorite, but it was "They Will Appear" and its imploding from the inside-out halfway through, a lá the Annuals' "Brother", that first blew me away. The scattered sound of the album opener "Everyone is Guilty" and the way it bursts in and then breaks down is a perfect introduction to the album. Every song isn't a 10 like the three I just mentioned, but that's probably why it didn't get much higher on my list.
9 - Ramona Falls Intuit
I'm not sure [and sorta ashamed] of two things about this album: how I hadn't heard about a Menomena side project until after hearing this and how I didn't recognize Brent Knopf's distinctive delivery, voice and vision until I read it was him. "Duh!" my ears exclaimed, and then I couldn't believe how I didn't hear it before. As with several albums on this list, Intuit has a couple of my favorite songs of the year, "Clover" and “Going Once, Going Twice”.
Sometimes I judge good lyric writing by my ability to understand what the writer is talking about-- and often times the same result can mean two completely different things. With Knopf, I can never say I'm quite sure. Sure, a lot of the same themes are covered as in half the other indie albums released this year [umm, right?]. But I don't care what it all means. It's emotional music, and that's what I love about it. It makes me feel something really good inside, like I want to identify whatever it is he's singing about so intently. And maybe that's it—maybe it's all about introspect. As I type that sentence Knopf cries out pleadingly "my heart wants just to know that it exists." Well played, Sir.
8 - Passion Pit Manners
I definitely anticipated this full length debut more than I anticipated Merriweather Post Pavilion. Their 2008 EP Chunk of Change totally blew me away--"Sleepyhead" was constantly in my head and on my phone [I made at least two different ringtones from the song]. So delighted was I when Manners it dropped and it actually lived up to the hype! It's a pure pop party, and was perfect to welcome the flower buds and sunshine and pastels of early Spring, when it arrived.
Some people hate Michael Angelakos's falsetooey oozey coo about relationships--I can't get enough. The year-old repeat "Sleepyhead" was even a welcome inclusion, even if it didn't change a lick since the home-produced EP release.
7 - The Decemberists Hazards of Love
Hazards of Love is an astounding rock opera. Period. Taking a page from their own book, they have done it again and again. Rock operas, that is. First there was The Tain, then the The Crane Wife, and now this. I came to love Colin Meloy and his league of extraordinary musicians after only their second album, but I have loved everything ever since.
4 – The xx xx
I don’t know how these kids did it. But I imagine it may have gone something like this: “Fuck it, let’s just make an album already. It’ll have a drum machine, a bass, your voice, my voice, the twinkling of a piano, only we’ll use a guitar instead of a piano, and.. we’re missing something…. Oh, I got it—complete fucking crisp dead black silence every second an instrument or voice isn’t heard. Fuck it.”
3 – Grizzly Bear Veckatimest
2 – Dirty Projectors Bitte Orca
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So there ya have it. Take it again from the top if you haven't done so.
And stay tuned for the other two lists: FaveSongs2009 and FaveEPs2009.
The FaveEPs is a very valuable addition, if I may say myself, because it includes a lot of EPs that others have on their album lists. There were so many good EPs [and albums] this year, I decided to keep them separate. Look forward to Mesita, Washed Out, Bon Iver, Suckers, Banjo or Freakout, Colourmusic, ZAZA, Delorean, Ducktails, El Perro del Mar, Mt Kimbie.... and more!
If you were missing some downloads on this page, those will be coming soon. Rest assured the FaveSongs list will be nothing but downloads. Well, that and my silly comments of course.
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FaveAlbums2009 part 2: 25-11
Yes, DFA holds it down completely to round off the top 25. I just couldn’t decide if it should be one or the other, or someone else completely, and so they share it. YACHT…. What can I say? Jona Bechtolt is a beat making genius. I saw him open up for Vampire Weekend early last year and he blew me away. Laptop artists are one thing, but Jona took it to another level. He’s the only artist I’ve known to rock a PowerPoint presentation. Über geeky, and über cool. On Lights, “Psychic City” was quick to make friends with me. Those who follow YACHT should know “Summer Song” from last year, released as a standalone single. What else is good.. everything! Opener “Ring the Bell” is a slow funky buildup to a rocking stomp. I critique Memory Tapes for being too stompy and 4/4—but YACHT is another story.
I don’t know if I got sick of listening to this or if I got swept away with other things but there was a time when I thought for sure it’d be in my top ten. I think if there were fewer 4/4 jams on here, it would have remained in the top ten. Like, more tracks like opener “Swimming Field”. Or, like…. If Mr Memory Tapes Dayve Hawk and Washed Out or Toro Y Moi made an album together, I would have never stopped listening to it.
Holy shit, he actually did it. GZA/Genius kinda did, but RZA sure as hell couldn’t. Ok, so Ghostface did, twice. Method Man wasn’t ever close. And I won’t even bother with ODB. Nobody else even really tried. And who the hell thought Raekwon could? But he did. He followed up one of the best hip hop albums, ever, with another straight banger. This reminds me so much of Ghostface’s 2006 Fishscale, and with good reason—many of the same producers, like MF Doom, J Dilla and Pete Rock, and, of course, many of the same guest appearances. Those guests would of course be other members of the Wu-Tang Clan.
20 – Bibio Ambivalence Avenue
Bibio released THREE albums this year [ok, so two albums and one EP]. Who knows when the material was actually produced, as I’m certain the man has unfinished tracks lying around all over the place. Avenue is the middle album of the year, released in June. Since I liked it much more than his first, Vignetting the Compost, I’m curious if the third release, The Apple and the Tooth [that one that's really an EP], will be even better. I need to give it a few more attentive listens, but I have a feeling sometime in early 2010 I’ll decide it is just as good if not better than this.
Anyway.. Avenue is for fans of Boards of Canada, Caribou and other Warp and Mush artists, but it’s so much more than that may sound. I think it has pretty broad appeal. Sure, I’ve listened to “this sort of music” for years and so when I hear “weird” bleeps and bloops and unconventional drum patterns, it’s nothing to get all offended by. There are plenty of vocals and poppy moments on this, like “Lover’s Carvings” for instance, that should be able to hold the attention of fans of more mainstream stuff. Give it a chance.
Basement Jaxx are so great and timeless. Like Daft Punk, they have such a distinct style of dance that they never abandon. While Daft Punk is famously robotic and spacecraft sterile, Felix and Simon have a more organic approach. Neither is right nor wrong, of course. The opening title track “Scars” is a perfect example of the sorta off the wall Jaxx production: the affected-vocal “Baaaaaaasssse-meeeeeennnt Jaaaaaaaaaaaaaaaaaaaaxxxxxxx” intro, the omnipresent bugs or fairies whizzing by all around [or is it just me who hears that?], the simple drum intro [not unlike Rooty's “Romeo”] and the wonderful lyrics. As with every other Jaxx record Scars contains great guest spots, but perhaps the most notable, Santigold, is actually the album’s least desirable. On the other hand, “Raindrops” is a dance pop gem, and has a solid spot on my FaveSongs list for sure.
Tune-Yards is Brooklynite Merrill Garbus, and she has one of the best female voices in all of the borough’s indie corners. She rivals both Angel Deradoorian and Amber Coffman, and all three share the same passion of using their gifted voices as a leadinstrument—in the case of the Dirty Projectors, it’s three lead vocal instruments in a band, but in lo-fi wunder-one-woman band Tune-Yards, Merrill’s voice is inarguably the only lead instrument.
Miike Snow [it's /MEE-kuh/, people!] lead singer Andrew Wyatt is also in the great band Fires of Rome, and I'm a fan of them as well. I think I'm mostly a fan of Wyatt's voice, but the production of this is wonderful, too. It's Euro mainstream, really: it's a dancey pop album, and it doesn't sound like something that would come from America. And it isn't--production team Bloodshy and Avant are Swedes. "Sylvia", "Animal", "Burial", "A Horse is Not a Home" are all highlights--it's hard to not find a track on here that's fun to listen to.
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Again, if you missed the first batch, find it here.
Be sure to check back soon for the top 10 OHWNT FaveAlbums2009.
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