FaveAlbums2009 part 3: 10-2

Here it is! The top 10 [except for the #1 which of course I already mentioned here].

Find 11-25 here and 26-50 here.

Without further....

10 - Akron Family Set 'Em Wild, Set 'Em Free

So many times this fall when I'd get sick of listening to everything else I'd put this on. "River" has long been a favorite, but it was "They Will Appear" and its imploding from the inside-out halfway through, a lá the Annuals' "Brother", that first blew me away. The scattered sound of the album opener "Everyone is Guilty" and the way it bursts in and then breaks down is a perfect introduction to the album. Every song isn't a 10 like the three I just mentioned, but that's probably why it didn't get much higher on my list.

9 - Ramona Falls Intuit

I'm not sure [and sorta ashamed] of two things about this album: how I hadn't heard about a Menomena side project until after hearing this and how I didn't recognize Brent Knopf's distinctive delivery, voice and vision until I read it was him. "Duh!" my ears exclaimed, and then I couldn't believe how I didn't hear it before. As with several albums on this list, Intuit has a couple of my favorite songs of the year, "Clover" and “Going Once, Going Twice”.

Sometimes I judge good lyric writing by my ability to understand what the writer is talking about-- and often times the same result can mean two completely different things. With Knopf, I can never say I'm quite sure. Sure, a lot of the same themes are covered as in half the other indie albums released this year [umm, right?]. But I don't care what it all means. It's emotional music, and that's what I love about it. It makes me feel something really good inside, like I want to identify whatever it is he's singing about so intently. And maybe that's it—maybe it's all about introspect. As I type that sentence Knopf cries out pleadingly "my heart wants just to know that it exists." Well played, Sir.

8 - Passion Pit Manners

I definitely anticipated this full length debut more than I anticipated Merriweather Post Pavilion. Their 2008 EP Chunk of Change totally blew me away--"Sleepyhead" was constantly in my head and on my phone [I made at least two different ringtones from the song]. So delighted was I when Manners it dropped and it actually lived up to the hype! It's a pure pop party, and was perfect to welcome the flower buds and sunshine and pastels of early Spring, when it arrived.

Some people hate Michael Angelakos's falsetooey oozey coo about relationships--I can't get enough. The year-old repeat "Sleepyhead" was even a welcome inclusion, even if it didn't change a lick since the home-produced EP release.

7 - The Decemberists Hazards of Love

Last year I hadn't even really considered TV on the Radio's Dear Science one of my favorite, or the best, albums of 2008 because it hadn't lived up to expectations I had of them. But when removed from the earth shattering Desperate Youth, Bloodthirsty Babes and Return to Cookie Mountain, it's a stellar piece of work in its own right. The same thing happened this year with the Decemberists.

Hazards of Love is an astounding rock opera. Period. Taking a page from their own book, they have done it again and again. Rock operas, that is. First there was The Tain, then the The Crane Wife, and now this. I came to love Colin Meloy and his league of extraordinary musicians after only their second album, but I have loved everything ever since.

When I first listened to Crane Wife I could instantly hear it filling a theatre, just as I had heard them fill a theatre three times before. I had the same feeling when the Love opera reached the third part of the medley “The Rake's Song”//”The Abduction of Margaret”//”The Queen’s Rebuke/The Crossing”. My Brightest Diamond Shara Worden guests as the Queen and she totally steals the show. Well, if it were a show [and it were a show, really, as Colin & Co toured this past summer playing the album/opera in its entirety. And here I was in Cyprus, missing my second straight Decemberists visit to Madison]. Awesome song, awesome album.

6 – Japandroids Post-nothing

Finding this album on my top 10 list is as much a shock to me as it may be for anyone who knows me. But then again, maybe not. Afterall, I was once a teenager just like [it seems] these boys sing about. I was in love. I love fuzzy guitars. I love pre- Green Album Weezer and Hum. And I sometimes love to wear my heart on my sleeve. This is what Post-nothing is all about. I consider “The Boys Are Leaving Town” to be great first for keeping my mind from wandering anywhere near the Thin Lizzy classic of a similar name. This album isn’t groundbreaking. It’s not complex. It’s just catchy as hell and it rocks and I can’t stop listening to it.

5 – White Denim Fits

So MPP dominated myTunes the first couple months of 2009, Miike Snow the next couple, Manners the middle couple. Fits dominated my iPod once I arrived to Cyprus. If you came into my office any time between 5pm and 11pm in July/August/September, chances are you heard the bluesy garage rock coming from the unfit Altec Lansing computer speakers we’re tortured with. It’s sort of fitting, however, that a stripped down album like Fits [is that feedback I hear? Aw, who cares] would be rocked so much on such a stripped down stereo experience. Like Post-nothing, there isn’t a whole lot of complexity here, however I’d wager it’s still about six times as complex as Post-nothing.

Halfway through we’re give a break with the instrumental dream sequence jam session interlude “Sex Prayer”. “Say What You Want”, “El Heart-Attack DCWYW” and opener “Radio Milk How Can You Stand It” rock the most, while “Regina Holding Hands” and my personal favorite “Syncn” close out the album perfectly with its slow build. I got into this album so much that I tried desperately to find anything else like it—Black Lips, Black Keys, The King Khan & BBQ Show, Almighty Defenders…. While those are all pretty good in their own right, nothing was ever nearly as good as Fits.

4 – The xx xx

I don’t know how these kids did it. But I imagine it may have gone something like this: “Fuck it, let’s just make an album already. It’ll have a drum machine, a bass, your voice, my voice, the twinkling of a piano, only we’ll use a guitar instead of a piano, and.. we’re missing something…. Oh, I got it—complete fucking crisp dead black silence every second an instrument or voice isn’t heard. Fuck it.”

And holy hell if that equation didn’t work. These are kids making this music?! The Japandroids are late twentysomethings writing teeniebopper love songs and early twentysomethings xx write songs that give the impression they learned from Leonard Cohen.

It took me a while to get into this album—when I first listened to it, I always wanted something more. But the adage/cliché is true—sometimes less is more. Everything is so stripped down and crisp, and their voices seem to just be hanging out there on threads. Sometimes, as in “Infinity” the voices face each other, and other times I imagine vocalists Romy and Oliver standing back to back as they sort of call and respond in “Crystalized”. Superb. Give this album to a love interest.

3 – Grizzly Bear Veckatimest

Another GB album and more Beach Boys and Beatles comparisons. More wonderful, warming choruses to sing along to. More melodic indie anthems to play over and over and over. What more could we ask for?

While I still consider Department of Eagles’ In Ear Park to be better, you can’t ignore any of this. The Iron & Wine-alike opening of southern nod of “Southern Point”. The smile-inducing power of “Two Weeks”. The all-around near perfection of “While You Wait for Others”. Or the building suspense of pre-chorus “All I Ask” and the singalong that ensues. “I can’t get out of what I’m into with you”, Grizzly Bear. And I love every minute of this relationship.

2 – Dirty Projectors Bitte Orca

Whew. How do you write about an album like this? It wasn’t difficult at all to realize this was one of my top favorites of the year. You’ve read it a couple times already that this and that dominated my speakers, but I just didn’t want to spoil the surprise—Bitte Orca was there all along. This album wasn’t officially released until June, but it leaked months before—as early as February or March if I remember correctly. I had actually just barely gotten my feet wet with DP’s Rise Above for some reason [I don’t know how I hadn’t fallen for it back in 2007] shortly before I nabbed the leaked Orca.

And it’s better! Rise Above is brilliant, but Orca is just about as perfect a merging of pop and experimental [whatever the hell that really means anymore] music you can get these days. Is MPP pop music? Just because it’s more mainstream than it’s ever been before doesn’t make it pop. I called Miike Snow’s debut pop, and I stand by that. Maybe I don’t even know what the word means anymore. And maybe I never did.

Critics have said Orca is the most accessible Projectors’ album to date. I always hated reading that sort of line, but it makes perfect sense with this. While Rise Above had the same lilting vocals, Bitte Orca wraps them up in something a little more…. poppy. Opener “Cannibal Resource” may have a scary name, but it’s quite harmless--in fact, it's extremely charming. And even though the opening chords remind me of the Jackass show/films, I get past that and swept away as David Longstreth, Angel Deradoorian and Amber Coffman make their way up and down the scales. I want to sing along, but of course I can’t hit most of the notes these guys can. But that doesn’t stop me from trying.

“Temecula Sunrise”, “Stillness is the Move” and “Useful Chamber” are the standouts, and I can’t decide which of the latter two I love the most—each time I listen, those two play tug of war with my heart. Longstreth and Deradoorian’s harmonizing and scatting/yodeling of “Stillness” lend a beautiful backdrop to Coffman’s r’n’b-esque vocal delivery, which makes this a contender for tune of the year. But “Useful Chamber” has that mood swing that I love so much [as recently mentioned above about Akron/Family’s “They Will Appear”, White Denim’s “Syncn”, Ramona Falls’s “ et al]. It begins with a bounce and it ends with screaming guitars, shouts and cymbal crashes, and with has everything between. It’s totally a Ry-style track—epic and rollercoasterly emotional.

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So there ya have it. Take it again from the top if you haven't done so.

And stay tuned for the other two lists: FaveSongs2009 and FaveEPs2009.

The FaveEPs is a very valuable addition, if I may say myself, because it includes a lot of EPs that others have on their album lists. There were so many good EPs [and albums] this year, I decided to keep them separate. Look forward to Mesita, Washed Out, Bon Iver, Suckers, Banjo or Freakout, Colourmusic, ZAZA, Delorean, Ducktails, El Perro del Mar, Mt Kimbie.... and more!

If you were missing some downloads on this page, those will be coming soon. Rest assured the FaveSongs list will be nothing but downloads. Well, that and my silly comments of course.

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Decemberists, Grizzly Bear

The new Decemberists album The Hazards of Love fell from the skies last night and into my ipod. Anyone see them when they came to Madison's Barrymore and rocked us with a rare live encore performance of The Tain in its entirety? That was wicked. 

It seems to this snooty blogger that each full album since The Tain has become more and more conceptual, and more and more sonically like that 20+ minute rock symphony, seemingly inspired equally by Jethro Tull, Black Sabbath, creepy nursery rhymes and seafaring deckhands.

In any event, this album rocks and is just as creative as any of their other masterpieces. I don't care if you hate that they sound like pirate music. I love these guys and can't wait til they come to Wisconsin.

The Wanting Comes in Waves / Repaid

The Queen's Rebuke / The Crossing

Annan Water

The Hazards of Love 3 (Revenge!)

Go preorder the album from InSound right here

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This Grizzly Bear album has to be the most highyl anticipated album since tight-jeaned hipsters queued up online to download fake leaks of Animal Collective's album in January. Well, a 'ok-quality' rip of the album Veckatimest leaked recently, and I had to be all over it. Department of Eagles's In Ear Park was by far my favorite album of last year [you'd know that if you've been around these parts much, or if I ever got around to publishing a favorite albums list].

Anyway, it'll happen that this album will hit Pitchfork's end of year top 10, whereas DoEagles's beauty insultingly barely made their honorable mention. And the crazy part of that is that this sounds more like Department of Eagles than GBear's last album, Yellow House. 

The cover art is beautiful, too.

Told ya.

Go preorder the album directly from the band via GB // Ed Droste's blog right here

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See, I haven't totally abandoned y'all.

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I'm So Excited: new albums!

Just tonight I procured two of the most highly-anticipated albums of the year.
First, Department of Eagles' In Ear Park. I've been dying to get some new DoE material ever since first hearing the amazing "No One Does it Like You" about a year ago. Then came along Daniel Rossen's cover of JoJo's "Too Little Too Late" which was equally beautiful [I'm pretty sure it was mentioned somewhere in my FaveSongs2007 series-- yep, sure did-- right here]. You can purchase both songs on a 7" vinyl piece somewhere, I just forget where. If I remember, I'll let you know.

Daniel Rossen is Eagles' lead singer and mastermind. He's also in the little known band Grizzly Bear. I knew Department of Eagles first, somehow. I stumbled upon their awesome "Sailing by Night" while I was dying for any new musics when I was in Saudi a couple years back. "Sailing" piqued my interest because it built slowly, then some faint drum machines were brought in and the song was just overflowing with emotion. Anyway, ever since then they've been on my radar.

Then came along Grizzly Bear and, guess what, Rossen's a part of that, too. Strangely, I didn't get caught up in all the GB hype, but don't get me wrong-- I do of course totally love a few of their songs ["Knife", their cover of the murderous white OJ's "He Hit Me", which was also a FAveSong2007].

Anyway, I'm currently listening to In Ear Park the old fashioned way, like I used to when I got a new record, cassette or CD-- all. the. way. through. I'm not skipping past the couple I've already heard. I'm not fast-forwarding through the boring-seeming ones. I'm not rewinding [yet]. I started 30min ago and I'm on track #8, "Waves of Rye". It kills. The whole album kills. I'm so amazed by it so far.

Second, TV on the Radio's Dear Science. I mentioned that a couple weeks ago, and then [as I mentioned the other day] that post vanished from the internerds. Like I just said, I haven't yet allowed myself to be torn away from DoE's album, or else I'd be geeking out about how much I love it, too. Hopefully.

Check back here soon for an update on just how awesome Dear Science really is.

Without further, here are a few Department of Eagle tracks, old and new. These new ones have already been blogged to hell, so hopefully this post won't be disappeared like the others.

Department of Eagles - "No One Does it Like You", from In Ear Park
Department of Eagles - "In Ear Park", from In Ear Park
Department of Eagles - "Sailing by Night", from 2003's Whitey on the Moon
Department of Eagles - "Forty Dollar Rug", from 2003's Whitey on the Moon
Daniel Rossen - "Too Little Too Late", from Ed Droste's Grizzly Bear blog
Daniel Rossen - "Deep Blue Sea", from the 2007 Grizzly Bear Friend EP
Grizzly Bear - "Knife", from 2006's Yellow House

CSS - "Knife", from Grizzly Bear's Yellow House
Grizzly Bear - "He Hit Me", from 2007's Friend EP
Grizzly Bear - "While You Wait for the Others", from forthcoming LP, recorded live on KCRW's Morning Becomes Eclectic

** I had problems uploading most of these tracks-- if you have problems downloading [broken links, etc], please don't hesitate to e-mail me.

Preorder In Ear Park from InSound and-- hey hey!-- get the 7" I mentioned above, with "No One Does it Like You" and "Too Little Too Late" for free!

Preorder Dear Science from InSound and get a limited edition poster illustrated by TVotR's own Tunde Adebimpe.

Otherwise, get the stuffs from here:
Strictly Discs : iTunes : Amazon

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Oh yeah, and if you haven't already, go download and start using Google's new browser Chrome. It's wicked. Not better than FireFox.... yet.... but I imagine it will be soon.

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OHWNT 080808: the rebirth. Also, upcoming Teiam Player gig

If my blog is still around at the next 080808, then mankind is doomed. Hell, if it makes it to 090909 I'll be surprised. And while I don't find this day to be particularly noteworthy, what better day would there be to be reborn? I mean, really.

So some or many or all or none of you may know I was out of the country for a while. Technically, since Guam is a US territory, I was in country, but it felt more like some place like.... Puerto Rico. Oh, wait-- that's Los EEUU as well. In Guam, five distinct languages can be heard on a regular basis: English, Chamorro [Guamanian], Japanese, Tagalog [Filipino], and Engrish [ya know, Engrish]. All the maps and tourist craps are in one or two languages, English and Japanese, but if only one then more often than not that one will be Japanese. It was a nice place. But this isn't a travel blog, or even a life blog really, so on with the show.

The only musical worth that trip had for me was that I heard the same six or seven songs over and over and over again. Some of those I still like, remarkably, but most [like Lolli Lolli, Lollipop, I Kissed a Girl].... notsomuch.

I also had one CD to listen to in my rental [a pimped out 2009 Toyota Corolla]-- my recent bloghouse/electro mixtape [which happened to be the topic of my last post]. I listened to that thing so much that two things happened: [1] I fell in love with most of it even more and [2] I found a few little things that bugged me so much that the first thing I did when I returned to the mainland was repair it. That can also be found at the same ol' link, which is right here in case you missed it the first times.

I have to say, that mix is pretty sweet and you should go listen to it [you can stream it!]. Straight up dance mix, the kind of set I'd be playing if I were playing a club. And of course since the man cannot be stopped, Teiam Player had to throw a few refizzes in there-- a blend featuring Heavy D & the Boyz, and some hip hop-apellas over other tracks.

ANYWAY, on with the new news....


TEIAM PLAYER @ Natt Spil 08/21! After fearing I may get bumped from the lineup because of reasons that aren't worth explaining, I am playing at the Spil on a night which has all the potential in the world to get a little crazy. Why? [a] it's a Thursday night [2] it's the day after my birfday! [d] I haven't been out in Madison for a while. Oh yeah, and like I always say, it's Natt Spil. So come down. There will be reminders closer to gameday.

Now onto the new musics. Here below are a few of those tunes I heard over and over and over while in Guam which I never got sick of. You've probably heard some on the radio, and others perhaps not. Anyway, I like these, and without shame.

Gavin DeGraw - In Love with a Girl
First saw this video one morning getting ready for work, and then heard it on the radio and never got sick of it.
Solange - I Decided
Also first saw this on MTV as well, and loved it instantly. Never heard it on the radio but I see it's been blogged to death, with loads o'remixes, one or two of which are quite good.
Estelle feat Kanye - American Boy
The first few times I heard this I never heard Kanye's verses, and the rest of it seemed pretty lackluster to me. Then I heard Kanye, and he tears it apart. Then I caught it on the radio a few times, always already halfway through the song, and I was always like "damn this is a good song, what is it?" and then I'd hear the chorus and then Kanye again and then I was always like "oh yeah, jeez". I hate it when I miss a song's potential the first time I hear it and it takes the radio or a club for me to like it.
Jason Mraz - I'm Yours
Again, saw this video first, without even knowing who it was. Jason Mraz, like the early Jack Johnson stuff [only stuff I've heard], is very islandy, with a strong island music influence. So it was in a perfect setting in Guam. It's an island. It's islandy. It has perpetual summer. No breeze and it's muggier than a Buenos Aires alley. But it's still islandy. This song was all over that rock, too. I'm sure all the songsters at the bars in Hawaii are playing it on their ukeleles. Guam is pretty ukelele-less, too.

Ok, enough of all that overplayed [but good!] crap. Here's the overhyped [but still equally good!-- no, way better!] stuff. The mega-blogged stuff, as I'm sure it was the past few weeks. But I'm just now catching up and these guys are all rocking it.

Fleet Foxes - White Winter Hymnal
AWESOME song. Download it if you don't ardy have it.
Grizzly Bear - While You Were Waiting for Others
This song is nothing short of fucking amazing. Presumably a song from their next album, they played it for KCRW or KEXP. You will love this song, perhaps more than the Fleet Foxes song. I've played it about a dozen times in as many hours.
Holly Golightly & the Broke-offs - Bottow Below
Never listened to them before, and never really cared to. And I don't think I like much of the rest of the album, but this song is real nice. And it's an opener, which I always love. Note: I'm still unsure if this song is sposedta be entitled "Bottom Below" or in fact "Bottow Below" like it says.
The Dodos - Jody
I've been rocking this album for a while, but somehow didn't have this track. And Holy Crap, they totally rock out on this. It's an epic seven minutes long, but they power through the whole thing and so will you.
Santogold - Icarus
This Santogold track is on the recent Diplo // Santogold mixtape Top Ranking. I haven't listened to the whole thing yet but there is plenty of new Santi White [aka Santogold] material, and plenty of rerubs by Diplo, et al. This is one of the closing tracks.... EDIT: it is the closing track, with exception to the hidden track, which is a Bad Brains cover, apparently.

Buy tunes:
Amazon : Strictly Discs : InSound : iTunes : Turntable Lab

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There were plenty of other tunes I planned on posting, but that just gives me the motivation to come back and write soon and for you to come back and read soon. I have like six or seven others I wanted to share but it's already going on 11pm and I really wanted to get this done [especially seeing as I started it like six hours ago, then went and had dinner and beers and beers and beers].

Welcome back.

See you soon.

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Favorite Songs of 2007, Part Diez

Yesterday after my final exam I treated myself to one of the things I do best: anything but schoolwork. I didn't do anything too crazy, but I enjoyed it more than usual because I didn't have that nagging feeling that I usually do when I write this blog, which is that I should be studying. It was frickin awesome. And then I did like this lil gumper and chillaxed a little.

I uploaded these tunes a few days ago, anticipating some procrastinating digression from studying in the form of blogging, but it never happened. And then I took yesterday off. And I should be cleaning my house right now, because it's turning into Chez de McCormick this weekend as my roommie's family crashes it. But those songs are just sitting out there not being enjoyed, so go enjoy them already.

I'm considering this the 10th and perhaps final Favorite Songs of 2007 post. Some of these are songs I've enjoyed all year, but some are songs I just nabbed off Pitchfork's best of 2007 list last week and I liked immediately. It never ceases to amaze me-- and always bugs me-- that out of the 100 songs they post, there are always at least 30% which I've never ever ever heard of.

Most of the new favorites I pulled from there, however, were from bands like Nick Cave's Grinderman, avant tardesters the Liars, and the Tori Amos-esque Bat for Lashes. I never really felt like giving these bands a chance based on their previous material, hype surrounding them, or just because I don't like the way they look. Well, maybe I should have and maybe I still won't. In any event, before I take another swig of my IPA, I first raise it up and offer a toast for the sake of judging books by their covers [and almost always being right]. Without further..

Daniel Rossen [of Grizzly Bear, Department of Eagles] - "Too Little Too Late" [JoJo cover], from the Grizzly Bear blog
Kelly Clarkson - "Fading", bonus track from import version of My December
Grizzly Bear - "He Hit Me", from Friend
Menomena - "Shirt", unreleased
Liars - "Plaster Casts of Everything", from Liars
White Denim - "All Truckers Roll", from forthcoming Workout Holiday
Bat for Lashes - "Horse and I", from Fur and Gold
Grinderman - "No Pussy Blues", from Grinderman
Deerhunter - "Wash Off", from Flourescent Grey
Gogol Bordello - "Forces of Vistory", from Super Taranta

Check out the rest of my 2007 favorites here.

Gogol Bordello, by the way, is my new obsession. I dismissed them earlier this year as a novelty act, but WOW every song is like a gypsy dance party. I think that if Pale Young Gentlemen started drinking heavily and let themselves go a little, spent some time in a gypsy camp outside Budapesht, they may eventually turn into something like Gogol Bordello.

And holy balls, I just discovered that the lead singer is in fact Alex from Everything is Illuminated. How did I not know this?! I thought of Alex the first time I ever heard Gogol, but never thought they were one in the same. Wicked.

Haven't seen the movie? Go get it now. It's hilarious, touching and just simply all-around amazing.



The band actually appears in the movie in this clip.

Happy holidays to everyone. I truly hope you have a peaceful next few weeks with family and friends. I'll pop in and share stuff when I have the resources and time.

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